Discover the art of photography in context

• Sanne Sannes (1937-1967)

Eroticism and human emotion through experimental techniques such as motion blur, high contrast, and grainy textures, emphasizing raw emotional expression and intimacy.

• Masahisa Fukase (1934-2012)

Metaphorical narrative on isolation and heartbreak through evocative, grainy black-and-white photography of ravens inhabiting stark and desolate landscapes.

• Richard Billingham (1970)

Richard Billingham’s close family and domestic life, photographed in West Midlands tower-block flats through direct-flash, snapshot-like colour photography.

• Daidō Moriyama (1938)

Tokyo’s urban theatricality capturing avant-garde performances, street entertainers, and the performative aspects of daily life in 1960s Tokyo.

• Daidō Moriyama (1938)

Road-based photographic project capturing fleeting urban moments across late 1960s–early 1970s Japan, structured as a pursuit through fragmented scenes and transient encounters.

• Daidō Moriyama (1938)

Raw and experimental work that defies photographic conventions, capturing Tokyo’s chaotic urban life through intentional blurs and grain.

• Daidō Moriyama (1938)

New York as unstable urban evidence, rendered through magazine-like half-frame pairings, irregular copying, and a variable photographic sequence.

• Giulio Rimondi (1984)

Night-time streets and quiet figures in Beirut, documented through grainy black-and-white photographs of everyday moments across residential and commercial districts.

• William Klein (1926-2022)

The intense energy of New York’s streets through gritty, chaotic images that critique urban life and redefine photographic storytelling.

• Takuma Nakahira (1938-2015)

Grainy, blurry, and out-of-focus images depicting a dystopian urban landscape, evoking an immersive sensory experience that challenges conventional documentary traditions.

• Peter Wiklund (1967)

Estrangement between humanity and nature in remote Nordic landscapes documents cultural anxieties about environmental crisis, survival, and the fragility of human presence in time.