• Daidō Moriyama (1938)

Raw and experimental work that defies photographic conventions, capturing Tokyo’s chaotic urban life through intentional blurs and grain.

• Daidō Moriyama (1938)

Road-based photographic project capturing fleeting urban moments across late 1960s–early 1970s Japan, structured as a pursuit through fragmented scenes and transient encounters.

• Daidō Moriyama (1938)

Tokyo’s urban theatricality capturing avant-garde performances, street entertainers, and the performative aspects of daily life in 1960s Tokyo.

• Alexey Brodovitch (1898-1971)

Ballet through blurred, high-contrast photography emphasizing movement, atmosphere, and the ephemeral nature of live performance.

• Sanne Sannes (1937-1967)

Eroticism and human emotion through experimental techniques such as motion blur, high contrast, and grainy textures, emphasizing raw emotional expression and intimacy.

• Larry Clark (1943)

Unfiltered depiction of youth subculture in 1960s America, documenting drug use, violence, and intimacy through a deeply personal and immersive photographic approach.