Discover the art of photography in context

• Martin Hill (1946)

Environmental interconnection through photography and sculpture with natural materials in wild landscapes across the globe for climate awareness.

• Mitch Epstein (1952)

Ancient trees within interdependent forest ecosystems across the United States, photographed with an 8 × 10 field camera.

• Sebastião Salgado (1944-2025)

Undisturbed ecosystems and ancestral communities through images of terrain, wildlife, and human life with relevance to cultural heritage and ecological protection.

• Ansel Adams (1902-1984)

The High Sierra from Yosemite to Sequoia, presented through 50 black-and-white landscape photographs.

• Peter Wiklund (1967)

Estrangement between humanity and nature in remote Nordic landscapes documents cultural anxieties about environmental crisis, survival, and the fragility of human presence in time.

• Timothy H. O'Sullivan (1840-1882),
• William Bell (1830-1910)

Western U.S. landscapes and geological features taken during expeditions from 1871–1873.

• Ed van der Elsken (1925-1990)

The rural life of Central African communities in the 1950s through vivid, high-contrast images, bridging humanist empathy with a raw, unfiltered perspective on cultural resilience.

• Hiroshi Sugimoto (1948)

Time and minimalism through photographs of sea and sky around the world, as a constant landscape in human history.

• Carleton Watkins (1829-1916)

Through meticulous, large-format images, The Yosemite Book showcased the sublime beauty of Yosemite, influencing public perception and environmental policy.

• Dominique Teufen (1975)

Copier-based landscapes with everyday materials, in response to digital image saturation and shifting trust in photographic representation.

• Jerry N. Uelsmann (1934-2022)

Black-and-white Yosemite photomontages, creating improbable yet visually coherent pictorial spaces through analog darkroom compositing of multiple negatives.

• William Bradford (1823-1892)

Greenland's frozen landscapes, blending Romantic artistry and scientific precision to document an extraordinary 1869 Arctic expedition.

• Murray Fredericks (1970)

Lake Eyre as a field of light, space, and emptiness, photographed with flattened perspective and an unbroken horizon.

• Peter Henry Emerson (1856-1936)

Year-long exploration of the Norfolk and Suffolk Broads, capturing seasonal changes and the intersection of nature and human life.

• Thomas Meurot (1995)

Cold-water surfing as resistance to commercial surf culture, documented through monochrome photographs of small surfers within vast Icelandic winter seascapes.

• Martin Hill (1946)

Ecological fragility and natural cycles, rendered through photographs of ephemeral land sculptures from natural materials, in remote New Zealand landscapes.

• Ingrid Weyland (1969)

Environmental fragility and material scars on landscapes, presented in rephotographed overlays of crumpled prints.