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The Encyclopedia of the Art of Photography

    In This Place

    • Margaret Mitchell (1968)

    An intimate study of one Scottish family, using portraits and environmental details to trace how place and inequality shape lives across generations.

    Description

    In This Place (2015–17) by Margaret Mitchell documents three generations of one family. Part of Mitchell's wider interest in people and place, belonging and childhood, In This Place brings this attention to the family of her late sister Andrea. Centred on the town of Stirling, Scotland, the work explores how life trajectories are influenced by class, place and access to opportunity alongside personal circumstances, in what Mitchell calls a "complex dance".


    Mitchell first photographed her sister’s family in 1994 for the series Family. By revisiting the same lives, she extends that work into an inquiry about intergenerational inequality. By 2015, the younger generation had become adults, having moved between two similarly disadvantaged neighbourhoods in the same town. Their experiences raise a recurring question: how much freedom can individuals exercise when their choices are constrained by the places, resources and expectations surrounding them?


    The series extends beyond the family itself to the surrounding environment: the estate, bus stops, demolished sites, and open ground. Windows, walls, and doorways structure many compositions, suggesting both enclosure and the possibility of looking elsewhere. In This Place was photographed in color and natural light, with images combining intimate documentary portraits with closely observed environmental details. Muted interiors, frost, fog, and empty spaces create a reflective mood, while gestures between those photographed emphasize affection, loss, and mutual dependence.


    Mitchell transitioned from 35mm photography to medium-format film in the early 1990s, with the majority of her work done on Bronica and Mamiya 6 cameras. In This Place was photographed mostly on a Mamiya 6. From early 2015, during family visits, Mitchell spoke with her nieces and nephew about revisiting the earlier work and making a new series. Having observed the trajectories of their lives over many years, she had long questioned what influenced the paths they took. These initial conversations led her to embark on In This Place.


    In 2021, her book Passage (Bluecoat Press) featured In This Place alongside the earlier work Family (1994) and was longlisted for the 2022 Deutsche Börse Photography Foundation Prize. In This Place has been presented in exhibitions including at Street Level Photoworks and the Scottish National Portrait Gallery. Photographs from the two series have entered the collections of the National Galleries of Scotland, the Martin Parr Foundation, and the University of Stirling.

    Behind the work

    Mitchell typically keeps extensive workbooks and diaries during her projects, documenting her own emotional responses and observations of people and place. This informs her final work where she often writes reflective texts to accompany projects.

    When published in her book Passage (2021), the cover features a map of a real but symbolic bus route in Stirling that connects the two housing estates where those photographed lived over twenty years. Mitchell uses this image to illustrate the theme of social and personal inertia, noting that despite two decades passing, the family’s "journey" was just a simple bus ride between two equally disadvantaged areas. 

    Quotes by the photographer

    "I want the viewer to ask themselves a question about how society operates, how choice is related to opportunity and environment. To see that sometimes people choose what they do because really, not much has been offered in the first place."

    "I wanted to question inequality within the UK, asking where its source lay. It is a body of work that is close to me, but repeated in countless households and cultures."

    "Smiling is a social face, it's a mask. A face that's more about a preferred perception than a reality. In my work, I go beyond that, to understand what's on the inside, that interior life."

    "My work is quite organic in the way it develops. Even though I go into a project with an idea of what I'd like to do, I like to see where it takes me. My photography goes across both social and psychological interests and that comes out in the final work through this process of discovery."

    "A significant part of my work is built on challenging stereotypes [...] People are more than their circumstances, and my work strives to show that complexity and nuance."

    "I don't think that place is the whole story, that we are devoid of agency, but agency is a process that is variable according to what a child has been surrounded by."

    Tags and context
    genre
    Personal Documentary ,Portrait ,Social Documentary ,Urban
    theme
    Family ,Inequality , Social Critique ,Identity ,Memory ,Personal Space ,Melancholy ,Transition ,Architecture
    technique
    Medium-Format ,Color Film ,Environmental Framing ,Natural Light ,Muted Colors ,Aerial Perspective ,Immersive Approach ,Central Composition ,Square Format
    influence
    Deadpan Aesthetic ,Lyrical Realism
    period
    2010s
    location
    United Kingdom

    Credits: Alasdair Foster, Talking Pictures (project nomination). Suggest an Edit

    In This Place

    • Margaret Mitchell (1968)

    An intimate study of one Scottish family, using portraits and environmental details to trace how place and inequality shape lives across generations.

    Description

    In This Place (2015–17) by Margaret Mitchell documents three generations of one family. Part of Mitchell's wider interest in people and place, belonging and childhood, In This Place brings this attention to the family of her late sister Andrea. Centred on the town of Stirling, Scotland, the work explores how life trajectories are influenced by class, place and access to opportunity alongside personal circumstances, in what Mitchell calls a "complex dance".


    Mitchell first photographed her sister’s family in 1994 for the series Family. By revisiting the same lives, she extends that work into an inquiry about intergenerational inequality. By 2015, the younger generation had become adults, having moved between two similarly disadvantaged neighbourhoods in the same town. Their experiences raise a recurring question: how much freedom can individuals exercise when their choices are constrained by the places, resources and expectations surrounding them?


    The series extends beyond the family itself to the surrounding environment: the estate, bus stops, demolished sites, and open ground. Windows, walls, and doorways structure many compositions, suggesting both enclosure and the possibility of looking elsewhere. In This Place was photographed in color and natural light, with images combining intimate documentary portraits with closely observed environmental details. Muted interiors, frost, fog, and empty spaces create a reflective mood, while gestures between those photographed emphasize affection, loss, and mutual dependence.


    Mitchell transitioned from 35mm photography to medium-format film in the early 1990s, with the majority of her work done on Bronica and Mamiya 6 cameras. In This Place was photographed mostly on a Mamiya 6. From early 2015, during family visits, Mitchell spoke with her nieces and nephew about revisiting the earlier work and making a new series. Having observed the trajectories of their lives over many years, she had long questioned what influenced the paths they took. These initial conversations led her to embark on In This Place.


    In 2021, her book Passage (Bluecoat Press) featured In This Place alongside the earlier work Family (1994) and was longlisted for the 2022 Deutsche Börse Photography Foundation Prize. In This Place has been presented in exhibitions including at Street Level Photoworks and the Scottish National Portrait Gallery. Photographs from the two series have entered the collections of the National Galleries of Scotland, the Martin Parr Foundation, and the University of Stirling.

    Behind the work

    Mitchell typically keeps extensive workbooks and diaries during her projects, documenting her own emotional responses and observations of people and place. This informs her final work where she often writes reflective texts to accompany projects.

    When published in her book Passage (2021), the cover features a map of a real but symbolic bus route in Stirling that connects the two housing estates where those photographed lived over twenty years. Mitchell uses this image to illustrate the theme of social and personal inertia, noting that despite two decades passing, the family’s "journey" was just a simple bus ride between two equally disadvantaged areas. 

    Quotes by the photographer

    "I want the viewer to ask themselves a question about how society operates, how choice is related to opportunity and environment. To see that sometimes people choose what they do because really, not much has been offered in the first place."

    "I wanted to question inequality within the UK, asking where its source lay. It is a body of work that is close to me, but repeated in countless households and cultures."

    "Smiling is a social face, it's a mask. A face that's more about a preferred perception than a reality. In my work, I go beyond that, to understand what's on the inside, that interior life."

    "My work is quite organic in the way it develops. Even though I go into a project with an idea of what I'd like to do, I like to see where it takes me. My photography goes across both social and psychological interests and that comes out in the final work through this process of discovery."

    "A significant part of my work is built on challenging stereotypes [...] People are more than their circumstances, and my work strives to show that complexity and nuance."

    "I don't think that place is the whole story, that we are devoid of agency, but agency is a process that is variable according to what a child has been surrounded by."

    Tags and context
    genre
    Personal Documentary ,Portrait ,Social Documentary ,Urban
    theme
    Family ,Inequality , Social Critique ,Identity ,Memory ,Personal Space ,Melancholy ,Transition ,Architecture
    technique
    Medium-Format ,Color Film ,Environmental Framing ,Natural Light ,Muted Colors ,Aerial Perspective ,Immersive Approach ,Central Composition ,Square Format
    influence
    Deadpan Aesthetic ,Lyrical Realism
    period
    2010s
    location
    United Kingdom

    Credits: Alasdair Foster, Talking Pictures (project nomination). Suggest an Edit

    Margaret Mitchell – In This Place
    Margaret Mitchell – In This Place
    Margaret Mitchell – In This Place
    Margaret Mitchell – In This Place
    Margaret Mitchell – In This Place
    Margaret Mitchell – In This Place
    Margaret Mitchell – In This Place
    Margaret Mitchell – In This Place
    Margaret Mitchell – In This Place
    Margaret Mitchell – In This Place
    Margaret Mitchell – In This Place
    Margaret Mitchell – In This Place
    Margaret Mitchell – In This Place
    Margaret Mitchell – In This Place
    Margaret Mitchell – In This Place
    Margaret Mitchell – In This Place
    Margaret Mitchell – In This Place
    Margaret Mitchell – In This Place
    Margaret Mitchell – In This Place
    Margaret Mitchell – In This Place

    Books

    imgi 1 MPFMLMPUB001 thumb MPF WEB SHOP 0001
    Passage
    • Bluecoat, 2021

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