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The Encyclopedia of the Art of Photography

    Leaving and Waving

    • Deanna Dikeman (1954)

    Waving parents at the end of a driveway show aging, memory, and the slow movement of time in family life.

    Artist Statement

    For 27 years, I took photographs as I waved goodbye and drove away from visiting my parents at their home in Sioux City, Iowa. I started in 1991 with a quick snapshot, and I continued taking photographs with each departure. I never set out to make this series. I just took these photographs as a way to deal with the sadness of leaving. It gradually turned into our goodbye ritual. And it seemed natural to keep the camera busy, because I had been taking pictures every day while I was there. These photographs are part of a larger body of work I call Relative Moments, which has chronicled the lives of my parents and other relatives since 1986. When I discovered the series of accumulated “leaving and waving” photographs, I found a story about family, aging, and the sorrow of saying goodbye.


    In 2009, there is a photograph where my father is no longer there. He passed away a few days after his ninety-first birthday. My mother continued to wave goodbye to me. Her face became more forlorn with my departures. In 2017, my mother had to move to assisted living. For a few months, I photographed the goodbyes from her apartment door. In October of 2017 she passed away. When I left after her funeral, I took one more photograph, of the empty driveway. For the first time in my life, no one was waving back at me.

    Behind the work

    While Deanna's father, Gerald, was generally patient and understood her need to photograph due to his own hobby in photography, her mother, Pat, sometimes expressed self-consciousness about her appearance, saying things like "Oh, Deanna, put that thing away" or worrying about her hair. Despite these occasional protests, the act of waving goodbye eventually became a cherished "ritual" or "game" for them, highlighting the loving, enduring nature of their familial bond.

    The project documents goodbyes from 93 individual trips over 27 years, from 1991 to 2017.

    The very first photograph, taken in July 1991 with Kodachrome film, shows Deanna’s mother in a bright pink blouse and blue shorts, slightly out of focus, with her father behind her; though initially disappointed by the blur, Dikeman later came to see it as an authentic, spontaneous snapshot that captured heartfelt familial bonds.

    It wasn't until 17 years into taking these photos, around 2008 or 2009, that Dikeman realized she had a cohesive series.

    When Dikeman's son Theron left for his first job, he asked, “Aren’t you going to take a picture?”, prompting her to continue the tradition from a new perspective—now standing at the house as he drives away, a role that brings meaning to them both.

    Quotes by the photographer

    "I felt sad and so I knew that maybe I wouldn't see one of them again. So if I had a picture, then I kind of felt like they were in my camera and I got to take them with me in the camera when I left, which is silly, but it meant something and it made it easier to leave."

    "I’m really glad I wasn’t too careful... Because I think if I’d tried harder I might have messed it up. They’re casual because they were taken casually."

    "This was the most important thing I ever photographed in my life... I’m still really reeling from the loss of these subjects. So even as an artist I’m struggling because they’re gone."

    Tags and context
    genre
    Personal Documentary
    theme
    Family ,Aging ,Loss ,Memory ,Nostalgia ,Ritual ,Everyday Life ,Longing
    technique
    Immersive Approach ,Natural Light ,Snapshot Aesthetic ,Color Film ,Unposed Subjects ,Moment-in-Motion ,Diary-Style
    influence
    Vernacular Photography ,Lyrical Realism
    period
    1990s ,2000s ,2010s
    location
    United States

    Credits: Linda Zhengová (project nomination). Suggest an Edit

    Leaving and Waving

    • Deanna Dikeman (1954)

    Waving parents at the end of a driveway show aging, memory, and the slow movement of time in family life.

    Artist Statement

    For 27 years, I took photographs as I waved goodbye and drove away from visiting my parents at their home in Sioux City, Iowa. I started in 1991 with a quick snapshot, and I continued taking photographs with each departure. I never set out to make this series. I just took these photographs as a way to deal with the sadness of leaving. It gradually turned into our goodbye ritual. And it seemed natural to keep the camera busy, because I had been taking pictures every day while I was there. These photographs are part of a larger body of work I call Relative Moments, which has chronicled the lives of my parents and other relatives since 1986. When I discovered the series of accumulated “leaving and waving” photographs, I found a story about family, aging, and the sorrow of saying goodbye.


    In 2009, there is a photograph where my father is no longer there. He passed away a few days after his ninety-first birthday. My mother continued to wave goodbye to me. Her face became more forlorn with my departures. In 2017, my mother had to move to assisted living. For a few months, I photographed the goodbyes from her apartment door. In October of 2017 she passed away. When I left after her funeral, I took one more photograph, of the empty driveway. For the first time in my life, no one was waving back at me.

    Behind the work

    While Deanna's father, Gerald, was generally patient and understood her need to photograph due to his own hobby in photography, her mother, Pat, sometimes expressed self-consciousness about her appearance, saying things like "Oh, Deanna, put that thing away" or worrying about her hair. Despite these occasional protests, the act of waving goodbye eventually became a cherished "ritual" or "game" for them, highlighting the loving, enduring nature of their familial bond.

    The project documents goodbyes from 93 individual trips over 27 years, from 1991 to 2017.

    The very first photograph, taken in July 1991 with Kodachrome film, shows Deanna’s mother in a bright pink blouse and blue shorts, slightly out of focus, with her father behind her; though initially disappointed by the blur, Dikeman later came to see it as an authentic, spontaneous snapshot that captured heartfelt familial bonds.

    It wasn't until 17 years into taking these photos, around 2008 or 2009, that Dikeman realized she had a cohesive series.

    When Dikeman's son Theron left for his first job, he asked, “Aren’t you going to take a picture?”, prompting her to continue the tradition from a new perspective—now standing at the house as he drives away, a role that brings meaning to them both.

    Quotes by the photographer

    "I felt sad and so I knew that maybe I wouldn't see one of them again. So if I had a picture, then I kind of felt like they were in my camera and I got to take them with me in the camera when I left, which is silly, but it meant something and it made it easier to leave."

    "I’m really glad I wasn’t too careful... Because I think if I’d tried harder I might have messed it up. They’re casual because they were taken casually."

    "This was the most important thing I ever photographed in my life... I’m still really reeling from the loss of these subjects. So even as an artist I’m struggling because they’re gone."

    Tags and context
    genre
    Personal Documentary
    theme
    Family ,Aging ,Loss ,Memory ,Nostalgia ,Ritual ,Everyday Life ,Longing
    technique
    Immersive Approach ,Natural Light ,Snapshot Aesthetic ,Color Film ,Unposed Subjects ,Moment-in-Motion ,Diary-Style
    influence
    Vernacular Photography ,Lyrical Realism
    period
    1990s ,2000s ,2010s
    location
    United States

    Credits: Linda Zhengová (project nomination). Suggest an Edit

    Leaving and waving, 1991
    Leaving and waving, 1995
    Leaving and waving, 2004
    Leaving and waving, 2005
    Leaving and waving, 2007
    Leaving and waving, 2009
    Leaving and waving, 2011
    Leaving and waving, 2015

    Books

    DD 3D COVER OK 2 s
    Leaving and Waving
    • Chose Commune, 2021

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