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The Encyclopedia of the Art of Photography

    Jan Banning

    (1954)

    Jan Banning (born 4 May 1954, Almelo) is a Dutch photographer and artist. Banning was born in the Netherlands from Dutch-East-Indies parents. He studied social and economic history at the Radboud University Nijmegen, and has been working as a photographer since 1981. A central theme of Banning's practice is state power, having produced series about the long-term consequences of war and the world of government bureaucracy. His Dutch East Indies roots are expressed in his choice of subjects, such as Indonesian women who were forced to become prostitutes for the Japanese army during the Second World War in Comfort Women; or former forced labourers in South East Asia during the same period in Traces of War: Survivors of the Burma and Sumatra Railways; also the repatriation of elderly Moluccans from the Netherlands to the Indonesian Moluccas in Pulang: Back to Maluku. His study of history is reflected in the historical components of his subject matters and his academic education is expressed in his aim to achieve sound intellectual foundations for his projects on the basis of a thorough preliminary investigation.

    This biography is from Wikipedia under an Attribution-ShareAlike Creative Commons License.

    Read full wikipedia entry

    Projects

    Liberatha lost three of her eleven children, including twins murdered by men who attacked her house at the start of the ge...
    Blood Bonds: Reconciliation in Post-Genocide Rwanda

    Reconciliation between survivors and perpetrators after the 1994 genocide in Rwanda, documented through formally constructed paired portraits.

    Bolivia, 2005
    Bureaucratics

    State power and everyday administration, documented through typological portraits of officials in offices.

    Books

    imgi 9 Blood bonds 600x900
    Blood Bonds: Reconciliation in Post-Genocide Rwanda
    • Lecturis, 2025
    upscaled cover image undefined
    Bureaucratics
    • Nazraeli Press, 2008