This book showcases the work of Jerry Uelsmann, a pioneering master of photomontage from the late 1950s onwards. At a time when fine-art photography was influenced by the documentary style of Walker Evans and the purist approach of Edward Weston and Ansel Adams, Uelsmann revolutionized the field with his composite images created in the darkroom. The collection spans 35 years of his work, highlighting his seamless and surreal compositions. Through multiple negatives and printing techniques, Uelsmann's images evoke deep emotional and psychological themes, marking his significant impact on 20th-century art.
