This book comprises critical essays exploring the influential work of contemporary artist Cindy Sherman. Beginning with her iconic "Untitled Film Stills" from the 1970s, the book examines Sherman's self-portraits and her exploration of themes like representation, feminism, mass media, and trauma. Despite her refusal to claim specific thematic intentions, her art invites diverse interpretations. Spanning nearly three decades, the essays cover her evolution from black-and-white photography to works using prosthetics and back-projection. Contributions from notable critics like Douglas Crimp, Hal Foster, and Rosalind Krauss engage in a dialogue about Sherman's impact and the theories surrounding her work.
