The book serves as a fully illustrated catalogue for the Marlborough Gallery exhibition "Bill Perspective of Nudes (revisited)". It includes essays by Martina Droth and Paul Messier, providing context and insights into Bill Brandt's renowned work. Brandt gained acclaim as a photojournalist in the 1930s and 1940s, documenting British society for magazines like Lilliput and Harper’s Bazaar. He later shifted to nude photography, culminating in his 1961 book "Perspective of Nudes". The New York Museum of Modern Art featured his work in a 1969 retrospective. His 1976 Marlborough New York exhibition established his status in fine art.
