"Self Portraits", Lee Friedlander (1934)

Route 9W, New York 1967. Image courtesy of MOCA.

Buffalo, New York 1968. Image courtesy of MOCA.

Chicago, Illinois 1966. Image courtesy of MOCA.

New York City, 1966. Image courtesy of MOCA.

Philadelphia, 1965. Image courtesy of MOCA.

Haverstraw, New York, 1966. Image courtesy of MOCA.

Louisiana, 1968. Image courtesy of MOCA.

Books

In the Picture: Self-Portraits, 1958-2011

(Yale University Press, 2011)

Lee Friedlander

(D.A.P., 2000)

Lee Friedlander

(Fraenkel Gallery, 2000)

Lee Friedlander: Self Portrait

(MOMA, 2005)

Lee Friedlander: Self Portrait

(D.A.P., 1998)

Lee Friedlander

(Fundación Mapfre, 2020)

Like a One-Eyed Cat: Photographs by Lee Friedlander, 1956-1987

(Abrams, 1989)

Lee Friedlander

(Fundación Mapfre, 2021)

Lee Friedlander

(Pantheon Books, 1988)

Related Projects

Dream Away

Michael Northrup (1948)

Visual diary of marriage and family life conveyed through spontaneous, flash-lit images exploring love, humor, and surreal moments.

Behind the Saint-Lazare station, Paris, 1932. Image courtesy of Magnum Photos.

The Decisive Moment

Henri Cartier-Bresson (1908-2004)

Ephemeral human moments portrayed through a fusion of spontaneity and precise composition.

Trastevere, Rome, 1959. Image courtesy of Magnum Photos.

The Europeans

Henri Cartier-Bresson (1908-2004)

European identity captured through black-and-white photographs spanning five decades, emphasizing shared humanity and cultural diversity.

For a Language to Come

Takuma Nakahira (1938-2015)

Grainy, blurry, and out-of-focus images depicting a dystopian urban landscape, evoking an immersive sensory experience that challenges conventional documentary traditions.

Central Park Zoo, New York, 1967. Collection of The Museum of Modern Art. Image courtesy of MoMA.

The Animals

Garry Winogrand (1928-1984)

Human-animal interactions in zoos, highlighting themes of captivity, observation, and artificial boundaries through ironic and unsettling compositions that satirize societal norms.

Family

Masahisa Fukase (1934-2012)

A two-decade photographic study of family life, combining personal history, theatrical staging, irony, and performative elements to examine change and continuity.

Related Projects

Dream Away

Michael Northrup (1948)

Visual diary of marriage and family life conveyed through spontaneous, flash-lit images exploring love, humor, and surreal moments.

The Decisive Moment

Henri Cartier-Bresson (1908-2004)

Ephemeral human moments portrayed through a fusion of spontaneity and precise composition.

The Europeans

Henri Cartier-Bresson (1908-2004)

European identity captured through black-and-white photographs spanning five decades, emphasizing shared humanity and cultural diversity.

For a Language to Come

Takuma Nakahira (1938-2015)

Grainy, blurry, and out-of-focus images depicting a dystopian urban landscape, evoking an immersive sensory experience that challenges conventional documentary traditions.

The Animals

Garry Winogrand (1928-1984)

Human-animal interactions in zoos, highlighting themes of captivity, observation, and artificial boundaries through ironic and unsettling compositions that satirize societal norms.

Family

Masahisa Fukase (1934-2012)

A two-decade photographic study of family life, combining personal history, theatrical staging, irony, and performative elements to examine change and continuity.