Books
New York, New York
(Nederlands Fotomuseum, 2004)
(Nederlands Fotomuseum, 2004)
Grainy, blurry, and out-of-focus images depicting a dystopian urban landscape, evoking an immersive sensory experience that challenges conventional documentary traditions.
Road-based photographic project capturing fleeting urban moments across late 1960s–early 1970s Japan, structured as a pursuit through fragmented scenes and transient encounters.
Daily performative engagement in Paris, where Nakahira photographed, developed, and displayed prints overnight, emphasizing circulation, transience, and the evolving relationship between images and time.
Ballet through blurred, high-contrast photography emphasizing movement, atmosphere, and the ephemeral nature of live performance.
Eroticism and human emotion through experimental techniques such as motion blur, high contrast, and grainy textures, emphasizing raw emotional expression and intimacy.
Tokyo’s urban theatricality capturing avant-garde performances, street entertainers, and the performative aspects of daily life in 1960s Tokyo.