• Moi Ver (1904-1995)

Paris through experimental photomontages, reflecting the city as a site of urban spectacle and artistic innovation.

• Roger Parry (1905-1977),
• Fabien Loris (1906-1979)

Collaborative project between a writer and photographers, published during the interwar period, and recognized as one of the earliest photographically illustrated Surrealist books.

• László Moholy-Nagy (1895-1946)

Exploration of photography and film as equal partners to painting, showcasing how these media can capture and reinterpret the mechanized world through new perspectives and abstract compositions.

• Alexey Brodovitch (1898-1971)

Ballet through blurred, high-contrast photography emphasizing movement, atmosphere, and the ephemeral nature of live performance.

• Germaine Krull (1897-1985)

Abstract and dynamic exploration of industrial forms through unconventional photographic perspectives in the modernist era.

• Daidō Moriyama (1938)

Raw and experimental work that defies photographic conventions, capturing Tokyo’s chaotic urban life through intentional blurs and grain.