This book explores the work of artist Rineke Dijkstra, who adapts the formal qualities of early 20th-century studio portraits to explore human introspection. Using full-length, centrally composed portraits, Dijkstra channels the influence of August Sander to delve into the essence of her subjects, often without context or specific location details. The book highlights her renowned series of beach portraits of teenagers and children, taken globally from 1992-1996, capturing their introversion and discomfort. This monograph also documents Dijkstra's recent photographic and video projects, illustrating her unique connection with her subjects and viewers.
