Miroslav Tichy's photography collection details his intriguing work capturing local women in Kyjov, Moravia during the 1960s using homemade cameras crafted from scrap materials. His quiet, surreptitious style went unnoticed until discovered by the photo-community in 2004. This book offers insight into Tichy's unique, voyeuristic perspective and serves as an accessible introduction to his work. It explores the themes of voyeurism and the passage of time, highlighting Tichy's creative approach and the unconventional nature of his equipment alongside the backdrop of post-war Moravia.
