Claudia Fährenkemper's book showcases her fascinating photographic exploration of vast and minuscule subjects using scanning electron microscopes. Spanning four decades of work, it highlights her conceptual series capturing American desert landscapes, Germany's industrial machinery, and microscopic entities like insects, seeds, and crystals, alongside historical European and Japanese armaments. This comprehensive collection illustrates the unexpected connections between nature, technology, science, and cultural history. A student of Arno Jansen, Bernd and Hilla Becher, and Nan Hoover, Fährenkemper's work is featured in collections such as Kunstmuseum Bonn and the National Gallery of Canada.
